Achieving high-quality sound in broadcasting, film production, and live events relies on professional audio equipment. This category includes various devices designed to capture, process, and reproduce sound with exceptional clarity and precision. Key components include microphones, mixing consoles, audio interfaces, monitors, headphones, and signal processors. Microphones, such as condenser, dynamic, and ribbon types, are essential for capturing sound accurately. Mixing consoles, available in analog and digital formats from brands like Yamaha and Behringer, allow audio engineers to blend and adjust multiple audio sources. Audio interfaces from Focusrite and PreSonus convert analog signals to digital and vice versa, facilitating high-fidelity recording and playback. Monitors and headphones from brands like KRK and Sennheiser are crucial for accurate audio monitoring. Signal processors, including equalizers, compressors, and reverb units from Universal Audio and TC Electronic, shape and enhance audio signals. When selecting professional audio equipment, consider sound quality, durability, compatibility with existing systems, and specific project requirements. Investing in reliable brands and understanding technical specifications can significantly enhance audio production capabilities.
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Year: 2005
set includes: 4 x A9 planar magnetics surface array 9 x 4 =36 panals, dispersion 120° cardioid up 120Hz-16KHz, 4000W per unit 4 x flightcase for 1 x A9 ensemble 2 x FB-1 flying bar for up to 16 rows 2 x DF-1 down extention bar Second hand 2005, good conditionYear: 1999
1 x Midas XL-4 48-16-2 FOH/MON console with 44 x mono, 4 x stereo inputs, 24 aux send per ch. 8 x VCA with OB automation incl. flightcase with bagpack 2 x MIDAS Power supply newly serviced and fully wokable Second hand 1999, good conditionYear: 2000
D-Control™ worksurface for Digidesign® ICON systems. D-Control gives you firsthand control over every function of Pro Tools and offers powerful options for customizing your Pro Tools mixing environment. D-Control Features: D-Control offers a complete set of controls for all Pro Tools recording, editing and mixing tasks and a versatile remote-controlled audio monitoring system. Control features: Motorized and touch-sensitive Penny and …Year: 1981
32-8-2 FOH console with unique features, class A full parametric equaliser, with 8 aux send per channel, 8 VCA, 8 mutes, external TT pachbay incl. case and PSU Second hand 1981, good conditionYear: 2012
Packaging Unit: Set 1 x digital audio console, touch panel display in combination with Yamaha's proven channel concept, provides uncomplicated working, 48 inputs, 16x mix bus, LCR bus, 8 matrix channels, 8 DCAs that can be assigned to 16 Omni outputs , IrtVirtual Effect and EQ Rack: up to 4 multi-effect processors with up to 8 simultaneous 31-band graphic EQs. …Year:
Spirit SX is a flexible 4-bus mixer capable of producing Digital sound quality for both live and recording applications. It includes 20 inputs as standard and 18 outputs (including Auxs and Direct Outs). In addition to mix outs, two sub-buses allow groups of instruments to be sent to multitrack, to additional speakers, or sub-grouped to mix. There are also four …Year:
Packaging Unit: Set set incl. 1 x Vi6 surface (96 input and 35 x outputs) with flightcase 1 x Local Rack with 3 DSP card, 16 x Line I/O, 16 x AES/EBU I/O RS422 Madi card for redundancy Cat5/7 Core, with rack 1 x Stage Rack, 64 x Mic/Line in, 32 x Line out, RS422 Madi card for redundency Cat5/7 …Year: 2024
The advanced design of the Bowers & Wilkins 702 S3 can imbue small-group recordings with warmth, but it goes the extra mile to render big performances — symphonies, live concert recordings, etc. — with a level of accuracy and detail that almost rivals being there. The latest version improves on previous iterations with a redesigned tweeter "pod" and a new …Year:
The 3rd generation of the best-selling MixWizard range features a new mic preamp design and advanced grounding scheme, which both further enhance sonic quality. Other improvements include individual phantom power switches, channel signal indicators, lamp socket, and backup supply capability. Internal configuration options for channel aux sends and direct output are now on pluggable jumpers for your convenience, and the …Year:
The Panasonic AV HS400 Vision Mixer is a HD/SD & DVI multi-format live switcher with built in multiviewer, 3D effects and a host of other advanced features. In addition to the standard wipe patterns, the DVE allows you to squeeze and slide effects and different types of 3D. The multiview display lets you view up to 10 inputs/outputs and split …Year:
Portable file-based HD/SD recorder and player AJA Ki Pro.Year:
1 x HHB Portadrive PDR 2000 1 x PORTADRIVE PDRDC40 40GB HDD CaddyYear:
XICOM XTRD-400K Ku Band TWTA HPA 400 Watts / New ( 0 –Hours )Year:
XICOMTECH XTRT-400C TWTA HPA 400 Watts / no more than 600 hoursYear:
digitally controlled analogue mixing system with separated analogue audio racks, detached digital control surfaces. 80 Input channel with IN A/B, 32 Group/AUX Busses, LCRS Master Routing, 3 PFL Busses, 40 x 20 Output Matrix, 20 VCA Groups, 4 Band fully parametric EQ. Sweepable High/lowcut, switchable Inserts, switchable pre/post EQ. Mic Preamp amd EQ designed by Trevor Stride (Focusrite) any parameter …Year:
56-8-2 FOH console with TT patchbay patchcables, looms 2 x PSU, flightcase second hand, good conditionYear:
Packaging Unit: Set includes: 1 x Venue Profile surface with flightcase 1 x Local rack 3 x DSP card + additional IOX card 1 x Stagerack with 48in-8out 1 x Multicore 100m with 6 x BNC connector panal Second hand, good conditionYear: 1996
FOH console with 44 mono inputs, 4 stereo inputs, 2xPSU, original Packhorse touring case. second hand 1996, good conditionYear: 1998
40-8-2 FOH console with noise gate per ch. 40 mono input, 8 stereo input on master section, 4 matrix 8x8, touring flightcase, 2 x CPS-1000 PSU with switch over redundeny and 10RU rack second hand 1998, good conditionYear:
XICOM XTRD-400C TWTA HPA 400 Watts / no more than 600 hoursInvesting in professional audio equipment is a critical decision for projects in broadcasting, film production, and audio engineering. High-quality gear is designed for capturing, enhancing, mixing, and reproducing sound in various professional settings such as recording studios, live concerts, broadcast stations, and film production sets. The key factors to consider when selecting equipment include sound quality, durability, compatibility, and specific use cases.
Prices for professional audio equipment vary significantly. For instance, a Shure SM58 microphone can cost around $100, while a Neumann U87 studio microphone can exceed $3,000. Mixing consoles range from a few hundred dollars for small analog models to tens of thousands for large digital consoles.
Carefully assessing the specific needs of your project or environment is essential when investing in professional audio equipment. The right choices can significantly enhance audio production quality, whether for live concerts, recording studios, or broadcast stations.