Achieving high-quality sound in broadcasting, film production, and live events relies on professional audio equipment. This category includes various devices designed to capture, process, and reproduce sound with exceptional clarity and precision. Key components include microphones, mixing consoles, audio interfaces, monitors, headphones, and signal processors. Microphones, such as condenser, dynamic, and ribbon types, are essential for capturing sound accurately. Mixing consoles, available in analog and digital formats from brands like Yamaha and Behringer, allow audio engineers to blend and adjust multiple audio sources. Audio interfaces from Focusrite and PreSonus convert analog signals to digital and vice versa, facilitating high-fidelity recording and playback. Monitors and headphones from brands like KRK and Sennheiser are crucial for accurate audio monitoring. Signal processors, including equalizers, compressors, and reverb units from Universal Audio and TC Electronic, shape and enhance audio signals. When selecting professional audio equipment, consider sound quality, durability, compatibility with existing systems, and specific project requirements. Investing in reliable brands and understanding technical specifications can significantly enhance audio production capabilities.

Yamaha CL5

Year: 2015

Second hand mixing console. Input Mixing Channels: 72 mono + 8 stereo Mix Buses: 24 Matrices: 8 (Input to Matrix supported)

MAD A9 planar magnetics surface array

Year: 2005

set includes: 4 x A9 planar magnetics surface array 9 x 4 =36 panals, dispersion 120° cardioid up 120Hz-16KHz, 4000W per unit 4 x flightcase for 1 x A9 ensemble 2 x FB-1 flying bar for up to 16 rows 2 x DF-1 down extention bar Second hand 2005, good condition

Midas XL-464 TP

Year: 1999

1 x Midas XL-4 48-16-2 FOH/MON console with 44 x mono, 4 x stereo inputs, 24 aux send per ch. 8 x VCA with OB automation incl. flightcase with bagpack 2 x MIDAS Power supply newly serviced and fully wokable Second hand 1999, good condition

Harrison HM-4

Year: 1981

32-8-2 FOH console with unique features, class A full parametric equaliser, with 8 aux send per channel, 8 VCA, 8 mutes, external TT pachbay incl. case and PSU Second hand 1981, good condition

Avid Digi Design - D- Control Icon Desk

Year: 2000

D-Control™ worksurface for Digidesign® ICON systems. D-Control gives you firsthand control over every function of Pro Tools and offers powerful options for customizing your Pro Tools mixing environment. D-Control Features: D-Control offers a complete set of controls for all Pro Tools recording, editing and mixing tasks and a versatile remote-controlled audio monitoring system. Control features: Motorized and touch-sensitive Penny and …

6,430 €

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GB United Kingdom


Soundcraft Vi6

Year:

Packaging Unit: Set set incl. 1 x Vi6 surface (96 input and 35 x outputs) with flightcase 1 x Local Rack with 3 DSP card, 16 x Line I/O, 16 x AES/EBU I/O RS422 Madi card for redundancy Cat5/7 Core, with rack 1 x Stage Rack, 64 x Mic/Line in, 32 x Line out, RS422 Madi card for redundency Cat5/7 …

Used Allen Heath MixWizard3 12:2

Year:

The 3rd generation of the best-selling MixWizard range features a new mic preamp design and advanced grounding scheme, which both further enhance sonic quality. Other improvements include individual phantom power switches, channel signal indicators, lamp socket, and backup supply capability. Internal configuration options for channel aux sends and direct output are now on pluggable jumpers for your convenience, and the …

Used Soundcraft Spirit SX RW 5350

Year:

Spirit SX is a flexible 4-bus mixer capable of producing Digital sound quality for both live and recording applications. It includes 20 inputs as standard and 18 outputs (including Auxs and Direct Outs). In addition to mix outs, two sub-buses allow groups of instruments to be sent to multitrack, to additional speakers, or sub-grouped to mix. There are also four …

Bowers & Wilkins 702 S3

Year: 2024

The advanced design of the Bowers & Wilkins 702 S3 can imbue small-group recordings with warmth, but it goes the extra mile to render big performances — symphonies, live concert recordings, etc. — with a level of accuracy and detail that almost rivals being there. The latest version improves on previous iterations with a redesigned tweeter "pod" and a new …

Gamble EX-56

Year:

56-8-2 FOH console with TT patchbay patchcables, looms 2 x PSU, flightcase second hand, good condition

Soundcraft Broadway

Year:

digitally controlled analogue mixing system with separated analogue audio racks, detached digital control surfaces. 80 Input channel with IN A/B, 32 Group/AUX Busses, LCRS Master Routing, 3 PFL Busses, 40 x 20 Output Matrix, 20 VCA Groups, 4 Band fully parametric EQ. Sweepable High/lowcut, switchable Inserts, switchable pre/post EQ. Mic Preamp amd EQ designed by Trevor Stride (Focusrite) any parameter …

EV X-Line vls set

Year:

Packaging Unit: Set set includes: 16 x X-line vls line array element H-V 90x5 degree, 3-way tri-amp, 2x15/2x8/3x1,5inch incl. dolly 2 x Grid mainframe for hanging max. 18 elements with all rigging parts. second hand, good condition

Used HHB Portadrive PDR 2000

Year:

1 x HHB Portadrive PDR 2000 1 x PORTADRIVE PDRDC40 40GB HDD Caddy

Used Panasonic AV-HS400

Year:

The Panasonic AV HS400 Vision Mixer is a HD/SD & DVI multi-format live switcher with built in multiviewer, 3D effects and a host of other advanced features. In addition to the standard wipe patterns, the DVE allows you to squeeze and slide effects and different types of 3D. The multiview display lets you view up to 10 inputs/outputs and split …

Midas XL-200 44+4

Year: 1996

FOH console with 44 mono inputs, 4 stereo inputs, 2xPSU, original Packhorse touring case. second hand 1996, good condition

Yamaha PM1D

Year:

Packaging Unit: Set Set includes: 1 x CS1D - surface, 1 x DSP1D - prozessor, 1 x PW1D - PSU 3 x AI8-ML8 - 16ch A+B Mic/Line input converter 1 x A08-DA8 - 32ch output converter 4 x desklight, 4 x systemcables between prozessor and converter from permanent installation, perfect condition

XICOM XTRD-400C TWTA HPA 400 Watts Audio equipment

Year:

XICOM XTRD-400C TWTA HPA 400 Watts / no more than 600 hours

Used AJA Ki Pro

Year:

Portable file-based HD/SD recorder and player AJA Ki Pro.

XICOM XTRD-400K Ku Band TWTA HPA 400 Watts Audio equipment

Year:

XICOM XTRD-400K Ku Band TWTA HPA 400 Watts / New ( 0 –Hours )

XICOMTECH XTRT-400C TWTA HPA 400 Watts Audio equipment

Year:

XICOMTECH XTRT-400C TWTA HPA 400 Watts / no more than 600 hours


Essential Guide to Professional Audio Equipment in Broadcast, Film, and Audio Industries

Investing in professional audio equipment is a critical decision for projects in broadcasting, film production, and audio engineering. High-quality gear is designed for capturing, enhancing, mixing, and reproducing sound in various professional settings such as recording studios, live concerts, broadcast stations, and film production sets. The key factors to consider when selecting equipment include sound quality, durability, compatibility, and specific use cases.

Key Elements to Consider

  • Sound Quality: Prioritize equipment with high fidelity and minimal noise levels.
  • Durability: Ensure the gear can withstand rigorous use and frequent transport.
  • Compatibility: Make sure the equipment integrates well with your existing systems.
  • Specific Use Case: Select gear tailored to your particular needs, whether for live performances or studio recordings.

Types of Professional Audio Equipment

  1. Microphones: These are essential for capturing sound. They come in various types, including dynamic, condenser, and ribbon microphones, each suitable for different recording environments and sound characteristics.
  2. Mixing Consoles: Used to combine, process, and route audio signals, high-end models offer extensive routing options, digital effects, and connectivity.
  3. Audio Interfaces: These convert analog signals to digital for computer recording and vice versa for playback, varying in inputs/outputs and supported resolutions.
  4. Speakers and Monitors: Accurate sound reproduction is crucial in professional settings. Studio monitors are designed for a flat frequency response to ensure precise mixing.
  5. Amplifiers: They boost audio signals to drive speakers, ensuring clarity and power without distortion.
  6. Headphones: Used for monitoring and mixing, professional headphones provide superior sound isolation and accuracy.

Brands and Pricing

  • Yamaha: Known for its reliable, high-quality audio products like the Yamaha PM10 mixing console.
  • Shure: Famous for industry-standard microphones, including the SM58 and SM7B.
  • Sennheiser: Renowned for microphones and headphones used in both studio and live settings.
  • Neumann: A premium brand known for its high-end studio microphones, such as the U87.

Prices for professional audio equipment vary significantly. For instance, a Shure SM58 microphone can cost around $100, while a Neumann U87 studio microphone can exceed $3,000. Mixing consoles range from a few hundred dollars for small analog models to tens of thousands for large digital consoles.

Conclusion

Carefully assessing the specific needs of your project or environment is essential when investing in professional audio equipment. The right choices can significantly enhance audio production quality, whether for live concerts, recording studios, or broadcast stations.